Over the last few years I’ve been becoming more and more fascinated by the strange world of J-Pop and J-Rock. Unfortunately without being able to read Japanese I’ve found it a frustratingly difficult area to start exploring as there’s a serious lack of decent books written in English on the subject. It seems totally bizarre to me that while there’s no end of books on the history of British and American rock music no one has yet written a comprehensive and accessible history of the worlds second largest music market, one which seems to have ever increasing cultural influence.
The closest thing we have so far is Japrocksampler by Julian Cope. It’s an enjoyable read but one I feel I’m only able to recommend it with a lot of caveats.
Continue reading “Book Review: Japrocksampler by Julian Cope”
There’s a school of thought that says the story of rock music is one of a conversation between Britain and the US. Where ideas and movements emerge in one and a few short years later have been adopted, improved and advanced by those on the other side of the pond. Looking over the canon of rock it’s easy to see this pattern occurring again and again. The British Invasion was inspired by American Rock’n’Roll. The roots of punk were in the US, it then took full form in the UK before growing into Hardcore back in America. Even as rock music progressed and the lines of influence became increasingly blurred, the general pattern of Trans-Atlantic to-ing and fro-ing remained.
Continue reading “Why you should be listening to more Japanese Music”